Always remember: work is a means to an end. The things that are not work are the most important things in life. For me, music is one of those things. I like the challenge of distilling a year’s worth of music into five favorite albums. This awful year, I gave myself permission to select six that I want to share with you, my dear readers.
You will miss Chris Cornell even more when you listen to this late 2020 surprise, a love letter to artists he admired. His cover of John Lennon’s “Watching the Wheels” is better than the original. If there is a Volume Two, it will be hard to live up to this. Let’s hope.
Wire is, inarguably, one of the best bands of all time. I cannot think of an album ever made by a band of 45-year industry veterans that is as vital as Mind Hive. An unexpected surprise in this very grim year.
4. Sharon Jones & The Dap-Kings – Just Dropped In To See What Condition My Rendition Was In
2020 was a year that was made for punk music. Reviewers seem to like this album less than 2018’s Joy As An Act of Resistance. I respectfully disagree. This is vital, timely, and just what my soul needed.
This is comfort food for people of my vintage, so it might not be your thing. Take a little of The Byrds and throw in some Robyn Hitchcock, and you have the makings of something wonderful. The vintage cover artwork is the cherry on the sundae.
Always remember: work is a means to an end. The things that are not work are the most important things in life. For me, music is one of those things. I like the challenge of distilling a year’s worth of music into six favorite albums. I believe that 2021 was not a great year for music; as Sting recently shared, there has been too much music that wants to remind us of our problems without offering us solutions. Here is some music that tried.
Taylor Swift is not the only artist this year to re-imagine earlier material to great effect. Ostensibly a soundtrack, this is really a greatest hits collection — with all tracks recorded and revisited — from a truly great band that wanted to give us all a lift with their melodies and messages.
Of all of the music that was released this year, this album probably has the best chance to be lovingly remembered. It is a masterpiece of music in the Laurel Canyon tradition, in a year that saw Joni Mitchell win a Kennedy Center honor as well as a year that sorely needed music to help us heal. This album will do that. Bravo.
4. Sturgill Simpson – The Ballad Of Dood & Juanita
I’m one of those folks who feel that Sturgill Simpson rescued country music from the Insinkerator. This is a brilliant album, with Willie Nelson along for the ride. But my favorite track is Sam. I suspect it might become yours as well. It’s one of the finest songs released this year.
Is this Abba’s best album? No. Does it matter? Absolutely not. Voyage was a gift of melody — a warm embrace, really — to a world that needed it, and it couldn’t have been better timed. The two lead singles got all the headlines, but there is more depth to the record than those. Here’s another superb song that you might have missed if you haven’t already listened deeper:
Technically Chaise Longue isn’t out yet, so I suspect you might see this record on the 2022 list if the rest of it as good as the four tracks that have already been released. If you miss music that is not only catchy, but that will make you smirk (think Devo or the B-52’s), then I suspect this record will bring a smile to your face. The world needs a lot more music that can make us smile. Here’s to 2022. Cheers!
My third year into this journey, I look forward to writing this piece more than ever. It is, however, always more difficult than the others. This year saw music recover from the shroud of our post-pandemic doldrums, with some exceptional albums that are worth your attention. It seems that many EOY 2022 lists have placed Beyoncé’s Renaissance at the top, ostensibly because of its post-pandemic-dance-your-butt-off feel and its admirable nod to many LGBTQ+ artists. That album is, though, lacking in many areas that bring me joy: variety, melody, and suspended chords. Truth be told, too, I would rather hear “I Feel Love” than a sample from it in “Summer Renaissance.” Yes, I’m older than the average Beyoncé fan, but that doesn’t stop me from loving more than my fair share of music from our younger generations. Without further ado, here are my favorite six albums from 2022:
While the world hasn’t seen a proper Radiohead album since 2016, Thom Yorke and Johnny Greenwood have created an album that is as exciting to absorb as anything their entire band has ever created. The album is a complete thought — something that invites you to hit play at track one and leave the buttons alone. There’s a sense of well-tuned control in Thom and Johnny’s mix of polyrhythms and composition on this one; it’s got the same sort of approachable balance that made OK Computer a classic, with a set of fresh statements about our current state of affairs that you’d expect.
It was as clear a year ago as it is today: this is a great album from a great new band. It’s fun, catchy, witty, musical, and everything else you want in rock and pop music. Wet Leg is Devo for the modern age, and deserving of more than the “Indie Pop” label. The world needs more pop music like this, because we need to be able to joke about the state of things while allowing our ears to be tickled.
3. Weyes Blood – And In The Darkness, Hearts Aglow
My goodness. The second part of what promises to be an outstanding trilogy, And In The Darkness, Hearts Aglow is deserving of far more attention than it’s been getting. Natalie Mering is precisely one-half Joni Mitchell and one-half Aimee Mann, blending not just those voices but their artistic sensibilities. It’s a delightful fusion. Each song is a journey, and your ears will be taken to unexpected places if you allow the songs to simply flow. I can’t wait to hear part three.
This is the best pure pop album of the year (and of the decade, so far), hands-down. My hope is that it and reinvigorate the genre, which has lacked proper bridges and engaging melody for far, far too long now. Welcome back, pop.
Inasmuch as I am a diehard music fan, and diehard music fans are expected to like certain bands, Wilco is not a band that I’ve cherished. It’s always been about Jeff Tweety’s voice. I have certain tolerances for out-of-tune singing in rock music (Bruce Springsteen, Neil Young and classic Bob Dylan being my borders), but in classic Wilco, Jeff Tweedy never even seemed to care about being in tune. Well, as it turns out, he does. While it would be great (for me) if Wilco could go back and re-record Sky Blue Sky and Yankee Hotel Foxtrot in the vein of Taylor Swift, Cruel Country is ample compensation. It’s as fine an album as they have ever done, with Tweedy’s best singing ever, fantastic ensemble playing (helped, no doubt, by being present in the studio as a proper band), some of the best songwriting the band has ever seen, and topped off with an outstanding audiophile recording quality. Plus, Many Worlds might be the best song of the year, period.
If Harry Styles led the year in great pop music, Phoenix provided the follow-through, with superb pop hooks and collaborations with the likes of Ezra Koenig. A warming end to the year, with promises of melody ahead. I look forward to 2023; I’ve a feeling it will be the best year for music in ages.